Loose-leaf is a photographic publication that explores the relationship between art, ecology, and sustainability. The project originated from my collaboration with Jeroen Verschoor and was made during our artist residency at the Botanical Gardens of

Loose-leaf is a photographic publication that explores the relationship between art, ecology, and sustainability. The project originated from my collaboration with Jeroen Verschoor and was made during our artist residency at the Botanical Gardens of Utrecht University, made possible by the K.F. Hein Fonds.

Page 1
Coelogyne pulverula

 During the residency, the publication developed from three different perspectives: observations in the botanical gardens, scientific research into plants, and artistic research into color, temporality, and photography. By weaving these perspectives

During the residency, the publication developed from three different perspectives: observations in the botanical gardens, scientific research into plants, and artistic research into color, temporality, and photography. By weaving these perspectives together, a multifaceted visual language emerged, ranging from botanical photography to abstract color studies and photographic experiments.

Page 1 (back)
Coelogyne pulverula

 The form of Loose-leaf is inextricably linked to the content. Driven by the desire to create a sustainable and accessible publication, the pages were not bound into a single fixed book but published individually as soon as they were ready. At the Bo

The form of Loose-leaf is inextricably linked to the content. Driven by the desire to create a sustainable and accessible publication, the pages were not bound into a single fixed book but published individually as soon as they were ready. At the Botanical Gardens, we presented the loose pages in a specially designed display. Visitors could purchase a cover and assemble it themselves with a personal selection of pages. In this way, the publication remained constantly evolving and the boundary between process and end result blurred, while the visitor became not only a spectator but also a co-editor and curator of the work.

page 8
Drosera binata

  Page 17  Spores of  Asplenium scolopendrium

Page 17
Spores of Asplenium scolopendrium

  Page 20   Selaginella willdenowii

Page 20
Selaginella willdenowii

  Page 22  All Colours (Except Green and Brown) in the Gardens on the 9th of September

Page 22
All Colours (Except Green and Brown) in the Gardens on the 9th of September

  Page 24   Phyllostachyc  spec. ‘Shanghai 3’

Page 24
Phyllostachyc spec. ‘Shanghai 3’

  Page 25  Sixty-two Shades of Green Found in the Gardens on the 11th of October

Page 25
Sixty-two Shades of Green Found in the Gardens on the 11th of October

  Page 32   Stratiotes aloides

Page 32
Stratiotes aloides

  Page 39  Tropical Greenhouse at Full Moon #2

Page 39
Tropical Greenhouse at Full Moon #2

  Page 43   Lythrum virgatum, Aster ericoides  ‘Pink Star’,  Calamagrostis brachytricha

Page 43
Lythrum virgatum, Aster ericoides ‘Pink Star’, Calamagrostis brachytricha

  Page 45  One Hundred and Sixty-four Seeds and Seedcases

Page 45
One Hundred and Sixty-four Seeds and Seedcases

  Cover (with page 21 visible through gap)

Cover (with page 21 visible through gap)

  Cover (with page 22 visible through gap)

Cover (with page 22 visible through gap)

  Display stand

Display stand

 Loose-leaf is a photographic publication that explores the relationship between art, ecology, and sustainability. The project originated from my collaboration with Jeroen Verschoor and was made during our artist residency at the Botanical Gardens of
 During the residency, the publication developed from three different perspectives: observations in the botanical gardens, scientific research into plants, and artistic research into color, temporality, and photography. By weaving these perspectives
 The form of Loose-leaf is inextricably linked to the content. Driven by the desire to create a sustainable and accessible publication, the pages were not bound into a single fixed book but published individually as soon as they were ready. At the Bo
  Page 17  Spores of  Asplenium scolopendrium
  Page 20   Selaginella willdenowii
  Page 22  All Colours (Except Green and Brown) in the Gardens on the 9th of September
  Page 24   Phyllostachyc  spec. ‘Shanghai 3’
  Page 25  Sixty-two Shades of Green Found in the Gardens on the 11th of October
  Page 32   Stratiotes aloides
  Page 39  Tropical Greenhouse at Full Moon #2
  Page 43   Lythrum virgatum, Aster ericoides  ‘Pink Star’,  Calamagrostis brachytricha
  Page 45  One Hundred and Sixty-four Seeds and Seedcases
  Cover (with page 21 visible through gap)
  Cover (with page 22 visible through gap)
  Display stand

Loose-leaf is a photographic publication that explores the relationship between art, ecology, and sustainability. The project originated from my collaboration with Jeroen Verschoor and was made during our artist residency at the Botanical Gardens of Utrecht University, made possible by the K.F. Hein Fonds.

Page 1
Coelogyne pulverula

During the residency, the publication developed from three different perspectives: observations in the botanical gardens, scientific research into plants, and artistic research into color, temporality, and photography. By weaving these perspectives together, a multifaceted visual language emerged, ranging from botanical photography to abstract color studies and photographic experiments.

Page 1 (back)
Coelogyne pulverula

The form of Loose-leaf is inextricably linked to the content. Driven by the desire to create a sustainable and accessible publication, the pages were not bound into a single fixed book but published individually as soon as they were ready. At the Botanical Gardens, we presented the loose pages in a specially designed display. Visitors could purchase a cover and assemble it themselves with a personal selection of pages. In this way, the publication remained constantly evolving and the boundary between process and end result blurred, while the visitor became not only a spectator but also a co-editor and curator of the work.

page 8
Drosera binata

Page 17
Spores of Asplenium scolopendrium

Page 20
Selaginella willdenowii

Page 22
All Colours (Except Green and Brown) in the Gardens on the 9th of September

Page 24
Phyllostachyc spec. ‘Shanghai 3’

Page 25
Sixty-two Shades of Green Found in the Gardens on the 11th of October

Page 32
Stratiotes aloides

Page 39
Tropical Greenhouse at Full Moon #2

Page 43
Lythrum virgatum, Aster ericoides ‘Pink Star’, Calamagrostis brachytricha

Page 45
One Hundred and Sixty-four Seeds and Seedcases

Cover (with page 21 visible through gap)

Cover (with page 22 visible through gap)

Display stand

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